Shiva Ashtapadi !! Tryodashashtapadi : Ashtapadi – 13

Jai Sriman Narayana !!
Jaya Jaya Sankara Hara Hara Sankara !!




Shiva Gitimala was composed by Jagadguru Sri Chandrasekharendra Saraswathi ( 62nd Seer of Sri Kanchi Kamakoti Peedam), it consists of 20 enthralling verses known as Ashtapadi praising the pleasurable moments of Lord Ekamreshwarar and Goddess Sri Kamakshi.  This beautiful composition portraits the desperation, devotion and dedication, of individual soul/Jeevathma, attain union with the Supreme soul/Paramathma in order to achieve eternal bliss.  Shiva Ashtapadi/Shiva Gitimala begins with the veneration of Lord Ganesha.  The entire verses illustrate the miserable state of separation of Goddess Parvathi from Lord Shiva.  Goddess Sri Parvati underwent severe penance on the river banks of Kampa in order to unite with the Lord Shiva.  The divine couple undergoes unbearable pain of separation; Lord Shiva came down to Earth and resides under a mango tree where Goddess Sri Parvati undertakes penance was observed by faithful companion of Goddess and was duly informed.  The state of remorsefulness, desertion, guilt and the messages exchanged through the companion of Godess Sri Parvati etc.. are beautifully depicted in the Ashtapadi.  Ultimately Lord Shiva appears before Goddess Sri Parvati and apologizes profusely, after an initial harshness between the couple and blissfully unites.


In this verse, Sri Chandrasekhara Yathi describes the grief of Goddess Sri Parvati due to the separation from Lord Shiva.  The moon realized the acute pain of separation of the divine couple, scattered it rays all over the attractive places located on the river banks of Kampa.   Goddess Sri Parvati was in a depressing state anxiously waiting for the arrival of her consort, soon she realized the absence of her Lord, she dejectedly speaking to her companion “My yearning to put an end to this long sufferings due to the separation from Lord Shiva is not bringing any fruitful result.  I am totally neglected by him.  I am always bearing his thoughts in me and my entire happiness lies in him, he did not see my presence yet.   The abundance of pollen of flowers from the Mount Malaya is scattered all over, I am intentionally abandoned by him in his pleasurable company.  Lord Shiva, whose lotus feet are capable to grant all the boons to the worshipper, he is indifferent to me unlike my deity, he disregarded my aching heart for him.  Lord Shiva, whose feet are adorned by the pinnacle of Vedas/Upanishads and provides immense delight in the minds of sages, fails to provide me happiness.   Lord Shiva, who is the remover of all fears and grief was repeatedly remembered by my aching heart during the times of separation, up till now was not able to be seen by me.  Though I am enriched with all the goodness, my life will be fruitful only with his passionate touches during amorous sport.”


The above verses of Sri Chandrasekhara Yathi describes the desperation of Goddess Sri Parvati from the separation from her consort Lord Shiva would destroy the fear of accumulated sins of the worshipper.


Ultimately, Goddess Sri Parvati, mother of the Universe was completely dejected to see her faithful companion returning without Lord Shiva.   She suspects that her consort is occupied with some other young maiden and pouring out harsh words of unhappiness in utter despair.


Om Nama Shivaya
Sri Chandrasekharendra Saraswathi Virachith
|| Shiva Ashtapadi ||
Tryodashashtapadi : Ashtapadi – 13
Chapter - 6
Atha Viharanim Mrucchedhanusambhrutha Pathaka-
Sritha Iva Nishanaya: Samkranthanila Gunanthara: |
Kiranikarairaischath Kampa Sarithadaramyabhu –
Valayamamitho Vyapthya Vibhrajyan Parijrbhathey ||
Vikirathi Nijakarajalam Himakarabimbeypi Nagathey Kanthey |
Akrutha Kamaneeyarupa Swathmagatham Kimapi Vadhathi Girikanya ||
|| Tryodhashashtapadi ||
Ashtapadi – 13
Suchira Virahapanaya Sukruthamikamitham
Saphalayathi Kimiha Vidhirutha Na Vibhavamitham
Kamini Kimiha Kalaye Sahachari Vanjithaham ..Kamini ||
Yadhanu Bhajanena Mama Sukha Makhila Mayatham
Thamanu Kalaye Kimiha Nayana Patha Magatham …Kamini ||
Yena Malayajarenu Nikaramidhamiritham
Na Cha Vahathi Kuchayugalamuru Thadhavadhirinthum…Kamini ||
Yaccharana Paricharana Makhila Phaladhayakam
Na Sprushathi Manasi Mama Ha Thadhupanayakam …Kamini ||
Nigama Shirasi Spurathi Yathi Manasi Yathpadham |
Vithatha Sukhatham Thadhapi Hrudhi Na Mey Kimidham…Kamini ||
Viraha Samayeshu Kila Hrudhi Yadhanu Chinthanam |
Na Sa Bhajathi Nayana Patha Makhila Bhaya Krunthanam ….Kamini ||
Kucha Yugalamami Mrushathi Sa Yadhi Ratha Soochitham |
Saphalamiha Nikhila Gunasahithamapi Jeevitham…Kamini ||
Niya Madhana Vidhu Mouliphanithamidhamasachitham |
Bahujanishu Kalushabhaya Mapanayathu Saschitham ..Kamini ||
Ajagmushi Sahachari Haramantharena
Chintha Vijrubhitha Vishadhabharena Dhina |
Alokya Loka Janani Hrudhi Samdhihana
Kantham Kathabhiramitham Nijagadha Vakyam ||
Jaya Jaya Sankara Hara Hara Sankara !!
Jai Sriman Narayana !!

Shiva Ashtapadi !! Dwadashashtapadi : Ashtapadi – 12

Jai Sriman Narayana !!
Jaya Jaya Sankara Hara Hara Sankara !!
Shiva Gitimala was composed by Jagadguru Sri Chandrasekharendra Saraswathi ( 62nd Seer of Sri Kanchi Kamakoti Peedam), it consists of 20 enthralling verses known as Ashtapadi praising the pleasurable moments of Lord Ekamreshwarar and Goddess Sri Kamakshi.  This beautiful composition portraits the desperation, devotion and dedication, of individual soul/Jeevathma, attain union with the Supreme soul/Paramathma in order to achieve eternal bliss.  Shiva Ashtapadi/Shiva Gitimala begins with the veneration of Lord Ganesha.  The entire verses illustrate the miserable state of separation of Goddess Parvathi from Lord Shiva.  Goddess Sri Parvati underwent severe penance on the river banks of Kampa in order to unite with the Lord Shiva.  The divine couple undergoes unbearable pain of separation; Lord Shiva came down to Earth and resides under a mango tree where Goddess Sri Parvati undertakes penance was observed by faithful companion of Goddess and was duly informed.  The state of remorsefulness, desertion, guilt and the messages exchanged through the companion of Godess Sri Parvati etc.. are beautifully depicted in the Ashtapadi.  Ultimately Lord Shiva appears before Goddess Sri Parvati and apologizes profusely, after an initial harshness between the couple and blissfully unites.


In this verse Sri Chandrashekhara Yathi describes the prang of separation of Goddess Sri Parvati,   and faithful companion of Goddess exchanges those intimate feelings of Goddess Sri Parvati to Lord Shiva. “ Oh ! Omnipresent Lord Shiva, your consort is recalling beautiful moments of sport with you, she absorbed in the thought of pleasurable moments with you.  She keeps reciting your name; she is extremely emaciated at the cupid arrows of Lord Manmatha.  She carries garlands of various fresh alluring flowers in thought of you.  She has completely lost interest in applying sandal paste brought from Mount Malaya on her enthralling body; instead she smears holy ash all over her body.  Goddess Sri Gauri leaving her long striking plait of her without any decoration in thought of pleasurable moments with you.  She does not like to wear the gem studded crown on her head, she wears lotus stalk as bracelet in her hand.  She anxiously watching on the bed of buds and her beautiful eyes are searching for you often.”  Goddess Sri Girija looked at her faithful companion timidly; eventually her warm breath displaced her attire covered on her raised bosoms. 

The above verses composed by Sri Chandrasekhara Yathi, passionate devotee of Lord Shiva protect us from all distress. 


Om Nama Shivaya
Sri Chandrasekharendra Saraswathi Virachith
|| Shiva Ashtapadi ||
Dwadashashtapadi : Ashtapadi – 12
Kalayathi Kalayathi Manasi Charantham
Kucha Kalasasprushamayathi Bhavantham |
Pahi Vibho Shiva Pahi Vibho
Nivasathi Gauri Kelivaney Pahi Vibho ||
Japathi Japathi Thava Nama Subha Manthram
Prathi Mururudhitha Sumayu Dhanthram  Pahi ||
Upachitha Kusuma Sudha Bhavahanthi
Bhavadhanu Chinthana Ma Kalayanthi Pahi ||
Malayaja Rajasi Nirakrutha Raga
Vapushi Bhasitha Dhruthi Samyatha Yoga  Pahi ||
Parihruthaveni Jadakacha Bhara
Nija Pathi Ghataka Janashaya Dhara Pahi ||
Avidhrutha Mani Mukudadhilalama
Bisavalayadhi Vidharana Kama  Pahi ||
Muhuravalokitha Kisalaya Shayana
Bahirupa Sangatha Sulalitha Nayana Pahi ||
Ithi Shiva Bhajanagunena Vibhantham
Chandra Shikhamanina Shubha Githam || Pahi ||
Sa Vikshathey Sahachari Madhanena Lajja-
Bharena Notharavacho Vadhathi Pragalbha |
Vyadhunvathi Kshasithakoshnasabhirena
Thungasthanothara Padam Girija Viyuththa ||


Jaya Jaya Sankara Hara Hara Sankara !!

Jai Sriman Narayana !!

Shiva Ashtapadi !! Ashtapadi -11

Jai Sriman Narayana !!
Jaya Jaya Sankara Hara Hara Sankara !!






Shiva Gitimala was composed by Jagadguru Sri Chandrasekharendra Saraswathi ( 62nd Seer of Sri Kanchi Kamakoti Peedam), it consists of 20 enthralling verses known as Ashtapadi praising the pleasurable moments of Lord Ekamreshwarar and Goddess Sri Kamakshi.  This beautiful composition portraits the desperation, devotion and dedication, of individual soul/Jeevathma, attain union with the Supreme soul/Paramathma in order to achieve eternal bliss.  Shiva Ashtapadi/Shiva Gitimala begins with the veneration of Lord Ganesha.  The entire verses illustrate the miserable state of separation of Goddess Parvathi from Lord Shiva.  Goddess Sri Parvati underwent severe penance on the river banks of Kampa in order to unite with the Lord Shiva.  The divine couple undergoes unbearable pain of separation; Lord Shiva came down to Earth and resides under a mango tree where Goddess Sri Parvati undertakes penance was observed by faithful companion of Goddess and was duly informed.  The state of remorsefulness, desertion, guilt and the messages exchanged through the companion of Godess Sri Parvati etc.. are beautifully depicted in the Ashtapadi.  Ultimately Lord Shiva appears before Goddess Sri Parvati and apologizes profusely, after an initial harshness between the couple and blissfully unites.


In this verse Sri Chandrashekhara Yathi describes the dialogues of the faithful assistant of Goddess Sri Parvati to the Mother of the Universe “ Oh ! Goddess Sri Parvathi, you are immersed in the thought of the charismatic form of Lord Shiva who has the brilliance of millions of Manmathas, beautiful third eye on his forehead and it has the power to crush the ego of young maidens, he is settled in a garden on the river banks of Kampa.  Your compassionate consort of Lord Shiva is in a miserable state due to the pangs of separation from you and cries to remove the afflictions caused by Lord Manmatha at the time of gentle breeze splatter on his body.   He experiences the strong fragrances of scented water with solid camphor on his body when the gentle breeze from the Mount Malaya embraces him; due to the irresistible pain he curses Lord Manmatha.  Lord Manmatha exemplifies appealing pictures of you was witnessed with a spontaneous delight by him was distracted by the gentle breeze from Mount Malaya.   Lord Shiva expresses his grief looking at your marvelous features, pleading your presence which would help him to recover from the pain of separation and raise his spirits on your raised bosoms.  Your little voice while singing along with the cuckoos reveals the utter grief in you.  The sparkling waters of river Kampa and the sweet scented pollen from the lotuses wedged on the chest of Lord Shiva increases the pain in him; he did not even realize the dripping waters from Ganga from his matted hair locks.  The beautiful eyed Goddess Sri Parvati, your consort is in utter desolation due to the separation from you and every second seems to be Yuga and Kalpa for him, his silly mistakes committed seems to be serious for him, therefore shower mercy on him.”   Goddess Sri Parvati after listening to the wretched state of Lord Shiva caused by Lord Manmatha described by her companion, the mother of Universe immediately entered in to her creeper hermitage with graceful steps and a pleasing smile on her lips.   The faithful companion who was in the midst of the sporting fight between the divine couple sincerely wished for the reunion of the couple and their happiness.  Shortly, she conveyed the state of Goddess Sri Parvati to Lord Shiva.   


The above verses of Sri Chandrasekhara Yathi describes the delusion born out of separation   in Lord Shiva who is attired in elephant skin would shower all the happiness to his worshipper.


Om Nama Shivaya
Sri Chandrasekharendra Saraswathi Virachith
|| Shiva Ashtapadi ||
Ekadashashtapadi : Ashtapadi -11
Himagiri Thanaye Guruthara Vinaye Niyutha Madhana Shubha Rupam
Nidila Nayana Manurajjaya Sathi Thava Virahajanitha Gana Thapam
Malayaja Pavane Kampanuvane Vasathi Sudhathi Puravairi
Yuvathi Hrudhaya Madha Mardhana Kushali Sambrutha Kelivihari…. ||Malayaja Pavane ||
Vadha Mrudhu Dhayithey Mama Hrudhi Niyathey Bahiriva Charasi Sameepam
Vadhathi Muhurmuharithi Hara Mamaka Dheha Madhana Gana Thapam || Malayaja Pavane ||
Arughana Saram Himajala Pooram Vapushi Pathitha Mathi Dharam
Sapadhi Na Mrushyathi Shapathi Manobhava Athi Mrudula Malaya Sameeram || Malayaja Pavane ||
Vilikhathi Chithram Thava Cha Vichithram Pashyathi Sapadi Samodham
Vadhathi Jadithi Bahu Mamithi Shambararipurathi Kalayathi Khedham || Malayaja Pavane ||
Aparyanilam Mayi Dhrutha Leelam Nayana Kusumamathi Lolam
Virahatharuni Virahathuramanumaja Mamiha (Thi) Vilapathi Sa (So) Lam || Malayaja Pavane ||
Lasadhaparadham Manasijabhadham Vimrusha Vinethumupayam
Guruthara Thunga Payodhara Durgamapanaya Haramanapayam || Malayaja Pavane ||
Athidhruthamaney Parabhrutha Ganey Kishridhudhajya Ganam
Jahi Jahi Manamanuna Gunai Ramayashu Viraha Chira Dheenam || Malayaja Pavane ||
Ithi Shivaviraham Ganathara Moham Bhanathi Niyamijana Dheerey
Chandra Shikhamani Namani Kushalamupanaya Gajavarachirey || Malayaja Pavane ||
Vimala Salilodhaccha Kampa Saroruha Dhorani –
Parimalaraja: Palisamkrantha Mandha Sameerano |
Vithapathi Viyadhrungamandi Chakara Shira: Sthiyatham
Thava Hi Virahakrantha: Kantha: Nathopi Na Vedhitha: ||
Anubhavathi Mrugakshi Thwadhiyogakshananam
Lavamiva Yugakalpam Swalpamathmaparadham |
Thwayi Vihithamanalpam Manyamana: Kathamchith
Nayathi Samayamenam Devi Thasmin Praseedha ||
Ithi Sahachari Vanimenangamoulim Manobhava –
Vyathana Kathanimenamakanyar Karnasudhajarim |
Sapadhi Mudhitha Vinyasyanthi Padhani Shanai: Shanai:
Jayathi Jagatham Matha Nethu: Pravishya Lathagruham ||
Sa Dhaksha Devana Viharajayanushanga Leelahavey Bhavathi Shailajaya Shivasya |
Chetha:  Prasadhamanayostharasa Vidhaya Devya Krutham Kathayathi Sma Sakhi Rahasyam ||
Jaya Jaya Sankara Hara Hara Sankara !!
Jai Sriman Narayana !!

Pradosham on 28th March, 2014 !! 108 Shivalayas !! Ettumanoor Mahadeva Temple !!

 
 
Jai Sriman Narayana !!
 
 
 
 
Jaya Jaya Sankara Hara Hara Sankara !!
 
 
 
 
 

 
Harinadvipa/ Harinapura Ettumanoor Mahadeva Temple is one of the 108 Shivalayas consecrated by Sage Parasurama located in Ettumanoor, Kottayam, Kerala.  It is one of the prominent temples of Lord Shiva built in 16th century famous for its exquisite paintings and architectural structure.
 
 
Presiding deity – Lord Mahadeva/Aghoramurthi worshipped as Ardhanareeshwara in the morning, Kiradhamurthi at noon and Samhararudra in the evening. 
 
 
Worshipped by – Pandavas, Maharishi Veda Vyasa,  Sage Kharaprakasha,  Sage Lomaharshana, Sri Adi Shankara, Vilwamangalam,
 
 
Sub shrines – Lord Ganesha, Lord Nandikeshwara, Lord Ayyappa, Lord Dakshinamurthi, Goddess Sri Bhagavathi, Yakshi, Lord Krishna,
 

 
Festivals – Mahashivaratri & 10 days Brahmostavam along with the grand procession of the deity ‘Ezharaponnana Ezhunallathu’,
 
 
 
The legend has that Sage Kharaprakasha attained immense wisdom in the philosophies of beliefs in the worship of Lord Shiva from Sage Malayavan.   Later, Sage Kharaprakasha had a disciple Pingala who was extremely deprived to provide fee for his mentor after completion of studies.   Sage Kharaprakasha graciously refused to receive anything from Pingala, but Pingala felt hurt and kept on insisting his master to ask for Gurudakshina.    In a rage Sage Kharapraksha asked for large quantity of gold coin as fee for mentoring him.    Pingala was shocked and miserable at the command of his mentor; Sage Kharaprakash felt mercy on Pingala and advised him that they will find a solution for this quandary.   They arrived at the sacred land Haridvipa and underwent severe penance worshipping Lord Hari & Lord Hara. Lord Hari was pleased at the devotion of Sage Khara and Pingala and appeared before them, offered them large quantity of gold coins as boon.   Pingala handed the gold coin to his mentor and left the place.  Shortly, Lord Shiva appeared before him, Sage Khara worshipped Lord with the gold coins he has received.  Lord Shiva was pleased at his devotion and returned the gold coins that were utilized for the worship of Lord Vishnu.   Sage Kharaprakasha received three Lingas as boon from Lord Shiva, was installed in  Vaikkom and the remaining two in Ettumanoor & Kaduthuruthi respectively.
 

This temple remains open from 4.30 AM to 12.PM in the morning and 5.00 PM to 8.30 PM in the evenings.

 
Jaya Jaya Sankara Hara Hara Sankara !!
 
Jai Sriman Narayana !!

Papamochani Ekadashi on 27th March 2014 !!


 
 
Jai Sriman Narayana !!







 
 
 
 
 
 
Please follow the link below to read the glories of Papamochani Ekadashi:
 
 
 
 
 
 
 
 
 
 
 
Jai Sriman Narayana !!

Shyamala Dandakam !! Lyrics & Its meanings !!

Jai Sriman Narayana !!
Jai Ambey Ma !!


Great poet Kalidasa, a passionate devotee of Goddess Sri Kali was born as unintelligent, later with the blessings of Goddess Kali he turned into a renowned poet who composed various magnificent verses praising the glories of Goddess Sri Kali in ‘Shyamala Dandakam’.  His compositions are well-known for its appropriate metaphors and they are Rithu Samharam

(description of six seasons such as Hemantha Rithu/Winter  , Shishira Rithu/ Cold,  Vasantha Rithu/Spring, Grishma Rithu/Hot, Varsha Rithu/Rainy, Sharath Rithu/ Post-rainy season), Shakunthalam, Megha Sandhesham, Vikramorvashiyam, Kumara Sambhavam, Malakivagnimithram, Raghuvamsam.
I meditate upon Goddess Sri Kali, daughter of Sage Mathanga who plays gem studded divine string instrument/Veena, who has dazzling features and nectar like mesmerizing speeches.  My salutations to the Mother of the Universe who has the complexion of saffron and attractive physical features and raised bosom,  holds flower, sugar cane, rope, arrow, goad in her hands and wears crescent moon on her beautiful plait of hair.  Oh! Mother Mathangi, dear daughter of Sage Mathanga who resides in the Kadamba forest shower your grace upon us.  Victory to Mother Mathangi, daughter of Sage Mathanga ! Victory to Mother who resembles the flower Neelothpala ! Victory to Mother who enjoys all pieces of music!  And Victory to Mother who loves amusing parrots!
|| Dandakam ||
Victory to Janani, consort of Lord Shiva who is worshipped by the entire Universe and its living beings, resides in the Manidhvipa situated in the  Kadamba forests coagulated with Vilva /Bale trees which has the equivalent capabilities to fulfill the desires of the worshipper like Kalpadhruma/Kalpakavruksha.  The daughter of Mount Himavan who is highly revered by the entire Universe, extremely charming and has beautiful plait of hair embellished with ornaments which has bluish black curls dancing to the tunes of soulful music and shines in the brilliance of the crescent moon, she has the beautiful eye brows resembles the flower arrow of Lord Kamadeva and nectar like her mellifluous voice is capable to cool down the entire Universe.  Rama/ Godess Sri Mahalakshmi, provider of happiness to the whole world, wear beautiful musk on her forehead which attracts the entire universe.  She has the mellowing voice of the divine instrument/Veena, whizzing of honey bees attracted to the fragrances of musk applied on her neck, gem studded ornaments on her body reveals the exquisite beauty of her physical features in the brilliance which put shame to the crescent moon.  The mother of the Universe is worshipped by great Rishis & Sages; she wears the ornament shaped palm leaves while playing the divine musical instrument called Vallaki, her marvelous appearance with the bright red eyes due to the consumption of nectar provides happiness, prosperity and capable to fulfill all the desires of worshipper of Goddess Sri Kali who is the soul of the Universe.  The beautiful nose ring of Goddess resembles the trip down perspiration from her forehead; her gorgeous smile is prettier than the Thamboolam/(pan/mixture of betel leaves with various fragrant spices)  stands as the symbol of wisdom, wealth and the lotus in her hand grants all the boon.  She has enthralling red lips like the Bimba fruit, her beautiful smile with the dazzling teeth which has the resemblances of jasmine buds; her attractive hands hold the divine instrument /Veena.  She is the personification of Art, she has stunning physical features and beautiful long conch shaped neck shines in the brilliance of various gem studded ornaments.  She is worshipped by Yogis, her beautiful long hands hold the lotus and arms are decorated with gem studded ornaments which spread brilliance in the universe, she showers abundance of mercy on her worshippers.  The beautiful radiance emanating from her represents ‘Chith’, attractive ear stud and various ornaments on her fingers gives out the luster of moon.  She holds the divine musical instrument on her hand, the trivial bent on her back due to the heaviness of the large bosoms reveals the humility in her and the various dazzling ornaments on her chest reveal the ocean of her beauty, she blesses her devotees with abundance of wealth.  She is worshipped by the all the three worlds.  She remains serene at all times, her stunning physical features defeats Lord Manmatha in arousing passion,  her enchanting waist belt studded with gem and tiny bells defeat the beauty of lush valley of Mount Meru,  her beautiful long legs resembles the trunk of Palasa tree and has appealing feminine gait.  She is divine and unadulterated.    Goddess Sri Parvati holds lotus flower in her hand and her lotus feet shines in the brilliance emanating from the crown of Lord Indra, Lord Vishnu, Lord Shiva, Lord Varuna, Lord Brahma, Lord Yama/Niryathi, Lord Kubera/Vaishravana, Lord Vayu and Lord Agni.  She is presided over the jeweled lotus,   seated in the majestic throne studded with nine precious gems.  She is shining with everlasting youth surrounded by Lord Ganesha, Goddess Durga, and eight Lord Bhairava.  She is revered by the celestials Manjula and Menaka, She is served by Lord Vamadeva & Goddess Durga, she is surrounded by eight divine mothers/Sapthamathas, She is worshipped by Yaksha, Gandharvas & Siddhas, Lord Manmatha & Goddess Sri Rathidevi, and she is the soul of flower arrows of Lord Manmatha.   She is worshipped by the Sages from the beginning of the world; she is immensely pleased by Vedic Chants, she bestows fame to her devotees, she is worshipped by Lord Krishna, Lord Brahma and Vidhyadharas.  She is praised by Kinnaras with their soulful music of Veena and she is worshipped by all the deities to get their wishes fulfilled.  She is the personification of wisdom, meditates with the crystal garland in one hand and sacred scriptures on the other, she holds goad & rope provides wealth & happiness to her worshipper.  Goddess Sri Parvati with the beautiful crescent moon on her plait of hair seated on meditating posture, Goddess Sri Saraswathi & Goddess Sri Mahalakshmi stands on her sideways to follow her orders.
My salutations to Mother of the Universe, Goddess Sri Parvati who is presents in the form of sacred water, Vedic chants, sacred symbols, female energy, seated on the sacred dais, beliefs, wisdom/knowledge, Yogic practices, divine musical sounds, all pervading sounds, universe and its division, she is the super soul of all souls which is omnipresent, omniscient and omnipotent.
Manikya Veenam Upalalayanthim Madhalasam Manjula Vag Vilasam |
Mahendra Niladhyuthi Komalangim Mathanga Kanya Manasa Smaramim ||
Chathurbhujey Chandra Kalavathamsey Kuchonnathey Kumkuma Raga Shoney |
Pundreskhu Pasam Angusha Pushpa Bana Hasthey Namasthey Jagaika Matha: ||
Matha Marakatha Shyama Mathangi Madha Shalini |
Kuryath Kataksham Kalyani Kadamba Vana Vasini ||
Jaya Mathanga Thanaye  Jaya Neelothpala  Dhyuthey |
Jaya Sangeetha Rasikey Jaya Leela Shuka Priye ||
|| Dandakam ||
Jaya Janani Sudha Samudrantharudhyan Manidhwipa Samrooda-
Bilwadavi Madhya Kalpadhruma Kalpa Kadamba Kanthara Vasapriye
Krithivasa Priye Sarvaloka Priye
Sadhararabdha Sangeetha Sambhavana Sambhramalola –
Neepasraga Baddha Chulisanathathrikey Sanumathputhrikey
Shekhari Bhootha Sheethamshu Rekha Mayukhavali Baddha-
Susnigdha Neelalakashreni Shrungarithey Lokasambhavithey
Kamaleela Dhanusannibhabhrulatha Pushpa Sandhoha Sandheha Krillochaney
Vak Sudhasechaney Charu Gorochana Pangey Lilalamabhiramey Suramey Ramey
Prollasadhvalika Mouthika Shrenika Chandrika Mandalodhasi
Lavanya Gandasthalanyastha Kasthurika Pathra Rekha Samudhbhutha Saurabhya
Sambhrantha Bhrungangana Gita Sandhribhavanmadhra Thanthri Swarey Susvarey Bhasvarey
Vallaki Vadhana Priyalola Thalidhalabaddha –
Thadanga Bhoosha Visheshanvithey Siddha Sammanithey
Divya Halabha Dhodhveyla Heylalasa Chakshurandholana Sri Samakshiptha Karnaika –
Neelothpaley Shyamaley Purithashesha Lokabhivancha Phaley Sriphaley
Swetha Bindu Lasathphala Lavanya Nishyandha Sandhoha  Sandheha Krunnasika Mauthikey
Sarva Vishwathmikey Sarva Siddhyathmikey  Kalikey Mugdha Mandhasmithodhara Vakthra-
Spurath Puga Thamboola Karpoora Khandothkarey Gnana Mudrakarey Sarva Sampathkarey
Padmabhasvathkarey Shrikarey
Kundha Pushpadhyuthi Snigdha Dhanthavali Nirmalalola Kallola Sammelaney
Smera Shonadharey Charu Veenadharey  Pakva Bimbhadharey
Sulalitha Nava Youvanarambha Chandrodhayodhvela Lavanya Dugdharnnavavirbhavath
Kumbha Bimbhogabhruthkantharey Sath Kalamandirey Mandharey
Divya Rathnaprabha Bandhuracchanna Haradhi Bhusha Samudhyodhamanavadhyanga Shobhey Shubey
Rathna Keyura Rashmicchada Pallava Prollasadhollatha Rajithey
Yogibhi: Poojithey Vishwa Digmandala Vyaptha Manikya Thejuspurath Kankana Alankruthey
Vibhramalankruthey Sadhubhi: Pujithey Vasararambha Velasamujrumbha
Manaravindha Prathidhvandhva Panidhvaye Santhathodhyadhaye Adhvaye
Divya Rathnormikadhidhisthoma Sandhyayamananguli Pallavodhya
Nakhendhu Prabha Mandaley Sannutha Khandaley Chith Prabha Mandaley Prollasath Kundaley
Tharaka Rajinikashahara Valismera Charusthana Bhoga Bharana Manmadhya –
Valli Valicchedha Vichi Samudhyath Samullasa Sandharshithakara Soundarya Rathnakarey
Vallakimuthkarey Kingara Srikarey
Hema Kumbhopa  Uthunga Vakshoja Bharavanamrey Trilokavanamrey Lasathvrutha Gambhira
Nabhisarasthira Shaivala Shankakara Shyamaromavali Bhushaney Manjusambhashaney
Charu Shinjath Kadisuthra Nirbharsinthanga Leela Dhanuschinchanidambarey Divya Rathnabharey
Padmaragollasann Meghala Moukthika Shreyni Shobhajitha Swarnabhu Bhruthaley
Chandrika Sheethaley Vikasitha Nava Kimshuka Thamra Divyamshukshacchanna
Charooru Shobha Parabhutha Sindoora Shonayamanendra Mathanga
Hasmargagale Vaibhavanargaley Shyamaley Komalasnigddha
Neelothpalopadhithananga Thuneera Sankhakarodhara
Jamghalathey Charuleelangathey Namra Dikpala Seemanthini
Kunthalasnigdha Nilaprabha Punjasanjatha Dhurvankurasangha
Saranga Samyogarimkhannakhendhujvaley Projjvaley Nirmaley
Nirmaley Prahu Devesa Lakshmisha Bhuthesha Thoyesha Vanisha Kinasha
Dhaitheysha Yakshesha Vayvagnikotira Manikya Samhrushta Balatapoddhama-
Slaksharasaruna Tharunya Lakshmigruhithangri Padmey Supadmey Umey
Rathna Padmasaney Rathna Simhasaney Shankha Padmadhwayopashrithey Vishruthey
Thathra Vignesa Durga Vatukshetra Palairyuthey Mattha Mathanga
Kanya Samuhanvithey Bhairavairashtamibhirveshithey
Manjula Menakadhyangana Manithey Devi Vamadhibi: Shakthibhisevithey
Dhathri Lakshmyadhi Shakthaishtakai: Samyuthey Mathruka Mandalai Mandithey
Yaksha Gandharva Siddhangana Mandalairarchithey
Bhairavi Samvruthey Pancha Banathmikey Pancha Banena Rathya Cha
Sambhavithey Preethibhaja Vasanthena Chanandhithey Bakthi Bajam Param Shreyasey
Kalpasey Yoginam Manasey Dhvyothasey Cchandhasambhojasey Bhrajasey Gitavidhya
Vinodhathi Thrushnena Krishnena Sampujyasey Bhakthimacchedhasa Vedhasa
Sthuyasey Vishwahrudhyena Vadhyena Vidhyadharaigiryasey
Shravana Haradhakshinakvanaya Veenaya Kinnarairgeeyasey
Yaksha Gandharva Siddhangana Manalairarchyasey
Sarva Soubhagya Vacchavathibhira Vadhubhissuranam Samaradhyasey
Sarva Vidhya Visheshathmakam Charugatha Samuccharana Kandamullollasadh-
Varna Rajithrayam Komala Shyamalodhara Pakshadhvayam Tunga Shobhadhidhuribhavath
Kimshukam Tham Shukam Lalayanthi Parikreedasey
Pani Padmadhvayenakshamalamapi Spadakam Gnana Sarathmakam
Pusthakanchankusam Pasamabhibhrathi Thena Sanchinthyasey Thasya Vakrantharath
Gadhya Padhyathmika Bharathi Nissareth Yena Vadhvamsanadha
Krithibharvyasey Thasya Vashya Bhavanthisthiya: Purusha: Yena Va
Shathakambadhyuthir Bhavyasey Sopi Lakshmisahashrai: Parikitathey
Kinna Sidhyedhvapu: Shyamalam Komalam Chandra Choodanvitham
Thavakam Dhyayatha: Thasya Leela Sarovaridhi: Thasya Kelivanam
Nandanam Thasya Bhadrasanam Bhoothalam Thasya Ghirdevatha Kinkari
Thasya Chanjakari Shri Swayam
Sarva Theerthathmikey Sarva Manthrathmikey
Sarva Yanthrathmikey  Sarva Thanthrathmikey
Sarva Chakrathmikey  Sarva Shakthyathmikey
Sarva Peedathmikey  Sarva Vedathmikey
Sarva Vidhyathmikey Sarva Yogathmikey
Sarva Varnathmikey Sarva Githathmikey
Sarva Nadhathmikey Sarva Shabdhathmikey
Sarva Vishwathmikey Sarva Vargathmikey
Sarva Sarvathmikey Sarvagey Sarva Roopey
Jaganmathrukey Pahimam ! Pahimam  ! Pahimam !
Devi Thubhyam Namo ! Devi Thubhyam Namo ! Devi Thubhyam Nama: ||
|| Ithi Shyamala Dhandakam Sampoornam ||
Jai Ambey Ma !!
Jai Sriman Narayana !!